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Ghosts
Persistence of the Missing

I.  

They are ghosts
The persistence of the missing
Translucent silhouettes of memory
that hang like forgotten laundry
slack against the sun

We are haunted
by what we cannot forget
what we cannot escape
or remember clearly
edges receding into the darkness
grotesque limbs of a misbegotten dream

They are ghosts
woven within the fabric of being
silken strands strung between perception
and experience, near invisible until the sun
sliding shadows, plucks them for a moment
and they are revealed, a crystalline depiction
of what we thought we had forgotten

II.

As the body deteriorates
as tensions tear and frictions consume
more than they create
as the body lessens
the spirit appears
cold as stones beneath the sand

III.

They are the unclear spirits
near the heart of fears
faces sinking beneath the surface
pale skin becoming a strange shade of blue
as the water closes over their mouths
As they cease to breathe, settling at the bottom
(one more rock among the bodies
one more body among the rocks)
they dissolve, slick strands of bubbles rising like transparent pearls
Every breath held, released
every kept secret, relinquished
Whatever essential presence once possessed
whatever terrible knot once tied together
is now undone by distance, loosening them into pieces
color separating from the skin, sensation from the fingers
softness from the hair, and love from their lips
now nothing but a quiet pile of associations
the remnants of the drowned

IV.

They are ghosts
hidden beneath the skin
the whispering frictions of motion and encounter
The unexpected malevolence of a touch
The sudden black horror of inarticulate memory
the discovery of oil where only sand was thought to be

We are haunted
by the voices of who we have been
by the ache of blood that will not drain
by the impact of fists that have long stopped hitting
by the shapes of faces that do not change
that are as untouchable as hunger, wind and cold
who cannot be beaten or chased away
who can only be named and revealed for all their translucent terror
to dissolve in the simplicity of sun

They are ghosts
the persistence of the missing
The shadows of hills long since crossed
the angle of intrusion upon the heart
and of glass into the skin
The language of memory written in the body
in the shapes of scars and hearts
©2004-2009 ~epimetheus
:iconepimetheus:

Author's Comments

Title poem from a chapbook I hope to release by the end of February. Stay tuned for ordering instructions.

Comments


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:iconmisaniovent:
This is an excellent poem. The repetition and form create reoccuring images, which make for an enjoyable (albeit long) experience. There is a lot of meaning to this, and it does a great job at conveying that meaning.

I like the form...its unusual.

Very nice.

--
Hide the past!
:icongyroscope:
i enjoyed the third part much more than the others. that's my favourite bit.
:icondrippingblood:
ya its kick ass in my opinion as usual...
i miss you .. :(

--
quod me nutrit me destruit
:iconjustaphase:
an interesting departure from your usual... voice? it was refreshing. i am especially fond of III., and of course your continuously rich imagery. however, ghosts - persistence of the missing appearing right before the first "the persistence of the missing" line jarred a little. but that cant be helped, if its part of the title, as im assuming. all in all, a good read.

--
All I know is that I know nothing.
:iconepimetheus:
Yeah, I'll probably remove that, since it'll be in the title of the book as well. Thanks for reading.

A.

--
www.strangejournal.com
:iconjustb:
This was intense and very unpretentious. An enjoyable read, it appears to start to describe ghosts in quite human and characteristic of emotion/feeling terms, I don't know if you meant to do that but it gave the poem a nice turn near the middle. :)

--
"I've taken enough walks alone
to know how real nothing is."
~dystopian-dream-girl
:iconhaunt:
the work is rife with clever sound and image, linked by parallel structures and the motion of the subject. i'd say the structure of III is the strongest point, thanks to many of the constructions you've made. IV plays off of it well into a grand finish and I starts it off well. that leaves II. i'm not sure i really get anything out of II. i suppose it transitions our attention to "the spirit appears" but the rest of II seems... don't know. more instructive than necessary? reading it throughout the context of the rest of the poem, i'm not so much interested in how the spirit appears, but what the rest of it is all about.

could just be me though, and i don't suggest you remove II. the whole thing is strong. it's just that that one part sort of breaks it up for me.

you should talk more about your chapbook.
:icontmpst24myst:
I suppose I should have read this one first.

--
June 22

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January 3, 2004
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